Examples of Paintings, Photography and Modern Video Art in Regards to Societal Awareness and Sensitivity
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This is an 8 page paper discussing the transition of paintings, photography and modern video art in regards to societal awareness, change and post-colonial views. In the last two centuries, art has been used in different ways to portray societal expectations and norms and the acceptance or denial of art has led the way to societal change. The paintings of William Bouguereau depict perfection in regards to heavenly and pure images of women, children and mythological creatures. Bouguereau used his work to escape the societal realities and portray images which he believed people wanted to see and taught methods in art he believed that artists wanted to learn. Unfortunately, Bouguereau maintained his traditional and classic styles during the evolution of Modernist and Impressionist painters and his paintings were considered unrealistic. French colonists used photography in Africa in the mid 19th century as a way of depicting “realistic” images they believed people wanted to see of tribal Africa. However, despite the perception that photography was “realistic”, the images portrayed of Africans were those which were stereotypical portrayals of Africans as “savages” “needing” to be civilized by Imperialism; a concept accepted by European society. Lastly, modern video artists such as Montreal’s Nelson Henricks raise social awareness and self-identity by questioning societal norms, and viewers and critics of Henricks’ work feel the need to step back and examine conventional views. Bibliography lists 7 sources.
Filename: TJptpht1.rtf

Exploitation of Children in the Art World: Is it Art or Pornography?
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In seven pages this paper examines the exploitation of children for artistic purposes from a sociological perspective and makes reference to the recent controversy in Australia involving works of art featuring naked children. Six sources are listed in the bibliography.
Filename: TGchildart.rtf

Film Explorations
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A 6 page paper examining two films and a museum’s film exhibit. Taken together, “The Decay of Fiction,” “Bowling for Columbine” and the Guggenheim Museum’s film installation reflect a broad history of film while remaining based in the present. The two films and the Guggenheim installation discussed here illustrate film’s capacity to instruct and edify while it concurrently instills emotional bases supporting the film’s purpose. All of these artists have used that ability to its greatest potential. Bibliography lists 4 sources.
Filename: KSfilm3Contemp.rtf

Gabriele Basilico; The Use of Space in an Urban Landscape
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This 6 page paper considers the style the photographic work of this artist of urban landscapes. The writer considers the use and meaning of space in the work, and how it provides contrast and reference to the observer. The bibliography cites 3 sources.
Filename: TEbasili.rtf

Graphic Design and Contemporary Photographic Theory
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A 5 page discussion of the parallels between computer-aided graphic design and conventional photographic theory. Emphasizes the tremendous diversity of tools which are available to the graphic design artist and discusses how these tools are similar to those available to conventional photographers but much more extensive. Concludes that the graphic design artist must recognize not only the tools and methodologies which are available but also the traditional value system which is associated with those tools. Bibliography lists 3 sources.
Filename: PPphoto.wps

Helmut Newton: The Photographer
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( 5 pp) This discussion will look at some of the rather "tame" later work of Helmut Newton (1920 - ), and consider those photos in relationship to other art forms, particularly that of drawing. Three visuals follow text.
Filename: BBphtoHN.doc

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