Goethe’s “Faust” and Freud’s “Civilization and Its Discontents”
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This 5 page report discusses Sigmund Freud’s “Civilization and its Discontents” (1929-30) and applies it to a literary character -- Mephistopheles -- from Johann Wolfgang von Goethe’s “Faust.” Both are tangentially based on the real world and real people, however, both are shaped and manipulated by their “founders.” For that reason Mephistopheles serves as one of the most valuable subjects or characters from Faust to consider in light of Freud’s theories in “Civilization and its Discontents.” Bibliography lists 4 sources.
Filename: BWdiscon.rtf

Haffner/Defying Hitler
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A 3 page book review of Sebastian Haffner's Defying Hitler (2002). Written in 1939, this is the memoir of a middle-class German journalist who endeavors, through the examination of his own life and background, to understand the social mechanisms that led to Hitler's rise to power. The writer offers a synopsis of the major themes and recommends it as a primary source. No additional sources cited.
Filename: khhafner.rtf

Heinrich Boll/ Billiards at half-past nine
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This 5 page paper talks about Heinrich Boll's novel 'Billiards at half-past Nine,' --- it gives a character sketch on the main character in the novel, Robert Faehmel. This paper has one source cited.
Filename: 99bill9.wps

Heinrich Boll/ Hosts of the Beast and Lamb
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A 5 page essay that examines the significance of the 'host of the beast' and the 'host of the lamb' in Boll's masterpiece, 'Billiards at Half-Past Nine.' No additional sources cited.
Filename: 99blbol.rtf

Heinrich von Kleist/ Michael Kohlhass
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A 6 page research paper that first of all sets German authors Heinrich von Kleist in perspective against the cultural background of his day and then summarizes and analyzes his work "Michael Kohlhass." Bibliography lists 6 sources.
Filename: khhvkmk.rtf

Hesse & Le Guin/Views on Dichotomy
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A 10 page research paper/essay that contrasts and compares Ursula K. Le Guin's science fiction/fantasy The Land Hand of Darkness and Hermann Hesse's Steppenwolf, which are two novels that share a basic orientation in that both narratives employ fantasy in order to illustrate the author's views on the tendency of human beings to view reality, including themselves in dichotomous terms, primarily in terms of polar opposites. Both authors make the point that this "either/or" type of thinking does not actually reflect reality, which is much more complicated than the black-and-white scenarios that dichotomous thinking tends to produce. However, beyond the similarities in their philosophical foundations, the novels are, of course, completely different. However, comparing these narratives illustrates the ways in which Hesse and Le Guin employed the genre of fantasy in order to achieve their artistic goals. Bibliography lists 4 sources.
Filename: khheslg.rtf

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