Carnatic Indian Music: Tradition and Evolution
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An 8 page exploration of this traditional form of Indian music. Emphasizes that while this musical style has been exposed to a number of cultural stressors, it has not only managed to survive but to encompass a number of other musical genres as well. Bibliography lists 10 sources.
Filename: PPindiaM.rtf

Cheerleaders and Dancers
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A 3 page paper comparing and contrasting some of the actions of dancers and cheerleaders, written from the perspective that cheerleaders are inferior in every respect. Most larger cheerleading squads interject an interlude of something they call dance into their routines, but the definition of this dance is that it is different in form from throwing friends into the air and then jumping up and down. The cheerleader’s dance is evidence that the language needs at least one more word. Meeting attendees can table an issue or they can leave items on a table as they leave a room. There is as much similarity in those actions as there is in the dance of a dancer and that of a cheerleader. No sources.
Filename: KScheerDance.rtf

Chita Rivera:
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This 3 page paper explores the amazing contributions of Chita Rivera on musical theater. Rivera was a huge influence in the 1960's, and this paper delves into her many accomplishments. Bibliography lists 2 sources.
Filename: GSChitaR.rtf

Choreography: West Side Story
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The Broadway production, West Side Story, by composer Leonard Bernstein, lyricist Stephen Sondheim and choreographer Jerome Robbins premiered in 1957. This 12 page narrative paper examines the musical with an emphasis on the choreography. Bibliography lists 6 sources.
Filename: KTchowss.wps

Cultural Developments During the Age of Jazz
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A 3 page review of some of the primary cultural developments that occurred during the 1920s and 1930s. The author maintains that many of these developments came about as a result of the experiences of those that served in Europe during World War I. Bibliography lists 4 sources.
Filename: PPjazz.rtf

Dance and Architecture: Spatiality and Orientation
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17 pages in length. Within dance, as within architecture, there is a continuum between space and time. As a dancer dances, the central part of the body is in unique correlation with the limbs, and the spatiality between all parts creates an art form which is the dance itself. The dance is not merely a series of movements, just as architecture is not merely a series of buildings. The entirety of the work is determined not only by the positive spaces, i.e., the body or the buildings, but by the negative spaces as well. Bibliography lists 7 sources.
Filename: JGAarcdn.wps

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