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Papers On Eastern Religions
Page 8 of 45
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Confucianism and Buddhism in China
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This 6 page paper examines the relationship between Confucianism and Buddhism in China with a focus on how Buddhism changed the Chinese people. The paper looks at the history of these philosophies as they emerged in the nation. Bibliography lists 4 sources.
Filename: SA218Ch.rtf
Plato's Form of the Good and Buddhism's Enlightenment
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This 20 page paper examines Plato's Form of the Good, as well as forms in general, and compares and contrasts the concept to the Enlightenment concept associated with Zen Buddhism. An overview of each is provided. The ideas are compared and contrasted and similarities and differences are duly noted.
Bibliography lists 14 sources.
Filename: SA353Zen.rtf
“Bhagavad Gita”: Hindu Teaching on the Separation of the Spiritual and Non-Spiritual
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A 5 page discussion of the “Bhagavad Gita”, a component of the Mahabharata, the sacred text of the Hindu religion. A Sanskrit poem, this document is interesting from a number of regards, not the least of which is the manner in which it defines the relationship between ritual and the ultimate destination of the soul. This paper addresses the separation of the spiritual world from the non-spiritual and the question of whether or not the respectful behavior of one individual can compensate for the disrespectful behavior of another. Bibliography lists 2 sources.
Filename: PPhindu.rtf
“Deep River”: An Analysis of the Novel by Shusaku Endo
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A 5 page exploration of the religious philosophy of author Shusaku Endo as portrayed in this story of the individual pilgrimages of his key characters. On the surface Shusaku Endo's “Deep River” is a story of personal and cultural clash which unfolds among a group of Japanese tourist touring alongside the Ganges River in India. Endo’s purpose is much deeper than depicting a glimpse of the lives of a few randomly chosen characters, however. Endo’s real purpose is to convey his view of religion, a view that is non-accepting of the premise that religions are exclusive of one another. Bibliography lists 3 sources.
Filename: PPdeepRv.rtf
"Peony Pavilion"/Confucianism & Daoism
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A 4 page research paper/essay that analyzes The Peony Pavilion, a 400-year-old masterpiece in the style of Chinese Kunju opera, China's oldest surviving theatrical style. Written in the late sixteenth century by Tang Xianzu (1550-1617), this work demonstrates how both Confucianism and Daoism had become intertwined in the fabric of Chinese culture. The writer discusses how the focus on issues of respect and ritual derive directly from Confucianism. Such issues are extremely significant to the male characters. The women in the opera, however, express a more Daoist view of life. Examination of this work demonstrates that both philosophies co-existed in sixteenth century Chinese culture. Bibliography lists 3 sources.
Filename: khppcd.rtf
"The Love Suicides At Sonezaki"
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A 4 page discussion of the early eighteenth century play by Japanese dramatist Chikamatsu Monzaemon. This paper discusses the sexual and religious intonations of the play and discusses it from Buddhist, Hindu, Jewish, Roman Catholic, and modern American perspectives. No additional sources are listed.
Filename: PPjpLove.rtf
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