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Papers On Romeo & Juliet
Page 11 of 12
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The Morality of Friar Lawrence in 'Romeo and Juliet'
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A five page paper on the characterization of the priest in William Shakespeare's classic
play. The paper argues that although Fr. Lawrence is often considered to
be a well-meaning character, he is in fact a man without moral courage.
Bibliography lists four sources.
Filename: KBromeo2.wps
The Nurse in Romeo and Juliet
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A 5 page paper analyzing the character of the Nurse in Shakespeare's Romeo and Juliet. It shows how she reveals their tragedies through both her offhand but oddly prophetic remarks and her earthy pragmatism.
Filename: Nurse.wps
The Romeo and Juliet Tour
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A 5 page paper which provides information, in a tour-like
manner, on places that exist in Shakespeare's "Romeo and Juliet." The places visited in this
tour are Stratford-on-Avon, London, Verona, Italy, and Mantua, Italy. Bibliography lists 6
sources.
Filename: RAromeotour.wps
Themes of Love & Death in William Shakespeare's "Romeo and Juliet" and "Sonnet 130"
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An 8 page paper which examines how William Shakespeare expresses the themes of love and death in the characters of his play, "Romeo and Juliet," and in his "Sonnet 130," considering how they are
represented both literally and figuratively. Bibliography lists 5 sources.
Filename: TGwslove.wps
Three Thematic Similarities in the Love Affairs of Heathcliff and Cathy in Charlotte Bronté’s “Wuthering Heights” and Romeo and Juliet in William Shakespeare’s “The Tragedy of Romeo and Juliet”
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A 3 page paper which examines three similarities – how social structure is a barrier to true love, the role of outsiders in keeping the lovers separated, and the tragic sense that these love affairs are doomed in the mortal world and can only be fully realized in death – between the featured protagonist love affairs in each work. Bibliography lists 7 sources.
Filename: TGwuthrj.rtf
William Shakespeare's Romeo and Juliet / A Modern View
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This 5 page paper considers the genre of romantic tragedy, looking closely at the 1996 film starring Leonardo DiCaprio and Claire Danes. This paper considers how the new version of this classic relates to the genre, and evaluates the iconography of the genre, the deviation in the film, and how the film fits into the postmodern text. As an extension of this evaluation, this paper also considers the correlation between the genre and the audience and the genre and the film. Bibliography lists 2 sources.
Filename: Moderom.wps
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